tag:blogger.com,1999:blog-5649288689253960682024-03-21T21:45:42.476-07:00QUESTIONSTRUCKA collection of question-based texts derived from the books of Calvin TrillinWilliam Walshhttp://www.blogger.com/profile/17162620450202341649noreply@blogger.comBlogger85125tag:blogger.com,1999:blog-564928868925396068.post-81688050695435117292013-05-09T05:42:00.001-07:002013-05-09T08:12:42.135-07:00Rosencrantz and Guildenstern Are Wed at The Morning News<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikmji0hLPMu7u4jSCGAaJsWHKRCQzY6oqF8Szzjun3ZO8qTBDUUI36StMJVy2KpZcmabiqWAh2Cl8PNUg9JOAAoOyLyNQJGLkll_Q1ietgHB7QhB4dpEFaxdM3A7nsbosNQIKBUL2c-trJ/s1600/rosencrantz-and-guildenstern-are-wed.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikmji0hLPMu7u4jSCGAaJsWHKRCQzY6oqF8Szzjun3ZO8qTBDUUI36StMJVy2KpZcmabiqWAh2Cl8PNUg9JOAAoOyLyNQJGLkll_Q1ietgHB7QhB4dpEFaxdM3A7nsbosNQIKBUL2c-trJ/s1600/rosencrantz-and-guildenstern-are-wed.jpg" height="167" width="320" /></a></div>
An appropriation of an appropriation. A play on Tom Stoppard's play on Shakespeare, "<a href="http://www.themorningnews.org/article/rosencrantz-and-guildenstern-are-wed">Rosencrantz and Guildenstern Are Wed</a>."William Walshhttp://www.blogger.com/profile/17162620450202341649noreply@blogger.comtag:blogger.com,1999:blog-564928868925396068.post-53751435891515490832012-04-22T06:22:00.000-07:002012-04-22T14:43:24.511-07:00Interview-in-Excerpts at The Collagist<span style="background-color: white; color: #555555; font-family: Georgia,'Times New Roman',serif; font-size: 15px; line-height: 21px; text-align: left;">Joe Scapellato, one of the blog editors at <a href="http://www.dzancbooks.org/blog/2012/4/21/wisdom-while-you-wait-an-interview-in-excerpts-with-william.html"><i>The Collagist</i></a>, asked me a few questions about writing. He applied a constraint to my replies. He asked me to reply only in excerpts from the works of James Joyce, a la <i><a href="http://www.amazon.com/Unknown-Arts-Texts-Poems-Derived/dp/0615590314/ref=sr_1_1?s=books&ie=UTF8&qid=1335100564&sr=1-1">Unknown Arts</a></i> (Keyhole Press).</span><br />
<br />
<span style="background-color: white; color: #555555; font-family: Georgia,'Times New Roman',serif; font-size: 15px; line-height: 21px; text-align: left;">I formed my answers around Joyce's many references </span><span style="background-color: white; color: #555555; font-family: Georgia,'Times New Roman',serif; font-size: 15px; line-height: 21px; text-align: left;">in </span><i style="color: #555555; font-family: Georgia, 'Times New Roman', serif; font-size: 15px; line-height: 21px; text-align: left;">Ulysses </i><span style="background-color: white; color: #555555; font-family: Georgia,'Times New Roman',serif; font-size: 15px; line-height: 21px; text-align: left;">to Shakespeare (and especially </span><i style="color: #555555; font-family: Georgia, 'Times New Roman', serif; font-size: 15px; line-height: 21px; text-align: left;">Hamlet</i><span style="background-color: white; color: #555555; font-family: Georgia,'Times New Roman',serif; font-size: 15px; line-height: 21px; text-align: left;">)</span><span style="background-color: white; color: #555555; font-family: Georgia,'Times New Roman',serif; font-size: 15px; line-height: 21px; text-align: left;">. Here's the sentence from </span><i style="color: #555555; font-family: Georgia, 'Times New Roman', serif; font-size: 15px; line-height: 21px; text-align: left;">Ulysses </i><span style="background-color: white; color: #555555; font-family: Georgia,'Times New Roman',serif; font-size: 15px; line-height: 21px; text-align: left;">that inspired me:</span><i style="background-color: white; color: #555555; font-family: Georgia,'Times New Roman',serif; font-size: 15px; line-height: 21px; text-align: left;"> </i><br />
<br />
<i style="background-color: white; color: #555555; font-family: Georgia,'Times New Roman',serif; font-size: 15px; line-height: 21px; text-align: left;">"He reflected on the pleasures derived from the literature of instruction rather than of amusement as applied to the works of William Shakespeare for the solution of difficult problems in imaginary or real life."</i><span style="background-color: white; color: #555555; font-family: Georgia,'Times New Roman',serif; font-size: 15px; line-height: 21px; text-align: left;"> </span><br />
<br />
<span style="background-color: white; color: #555555; font-family: Georgia,'Times New Roman',serif; font-size: 15px; line-height: 21px; text-align: left;">I had a lot of fun putting it together, and I hope it's an enjoyable read. </span><br />
<br />
<a href="http://www.dzancbooks.org/blog/2012/4/21/wisdom-while-you-wait-an-interview-in-excerpts-with-william.html" style="font-family: Georgia, 'Times New Roman', serif; font-size: 15px; line-height: 21px; text-align: left;">Check it out.</a><span style="background-color: white; color: #555555; font-family: Georgia,'Times New Roman',serif; font-size: 15px; line-height: 21px; text-align: left;"> </span>William Walshhttp://www.blogger.com/profile/17162620450202341649noreply@blogger.comtag:blogger.com,1999:blog-564928868925396068.post-82311571160086540002012-04-02T17:14:00.006-07:002012-04-02T17:26:58.606-07:00...how many of us are really sure what?<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVG7r9PxHytSzjrujjktn6zIcC7IOnz0Uk49McGkKUSUKsVJE4ASx2XVJ_jKyinjmkmk5WtYb53q1-DQB3MGx9IiYfu1Hz3cNIPSIWPFvW8rA76Qqw_THnr1UWcvB-AiQOPSR_fTCCLwBb/s1600/htmlgoant.jpg" style="font-style: normal; "><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 400px; height: 64px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVG7r9PxHytSzjrujjktn6zIcC7IOnz0Uk49McGkKUSUKsVJE4ASx2XVJ_jKyinjmkmk5WtYb53q1-DQB3MGx9IiYfu1Hz3cNIPSIWPFvW8rA76Qqw_THnr1UWcvB-AiQOPSR_fTCCLwBb/s400/htmlgoant.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5726962420595898754" /></a><br /><br /><br /><div style="font-style: normal; "><br /></div><div style="font-style: normal; "><br /></div><div>Ethel Rohan, author of <i>Cut Through the Bone</i> (Dark Sky Books), responded to <i>Unknown Arts</i> at <a href="http://htmlgiant.com/reviews/unknown-arts-a-book-about-joyces-books-about-how-many-of-us-are-really-sure-what/">HTML GIANT</a> today. </div><div><br /></div><div>She says:</div><div><br /></div><div><span style="font-family: ratio-1, ratio-2, GillSans, Verdana, sans-serif; font-size: 14px; line-height: 21px; text-align: justify; background-color: rgb(253, 253, 252); ">"...</span><a href="http://keyholepress.com/authors/william-walsh/books/unknown-arts/" style="color: rgb(199, 10, 221); text-decoration: none; font-family: ratio-1, ratio-2, GillSans, Verdana, sans-serif; font-size: 14px; line-height: 21px; text-align: justify; background-color: rgb(253, 253, 252); "><em>Unknown Arts</em></a><span style="font-family: ratio-1, ratio-2, GillSans, Verdana, sans-serif; font-size: 14px; line-height: 21px; text-align: justify; background-color: rgb(253, 253, 252); "> can be read as analysis, distortion, homage, and/or a work of art all of its own. It is doubtless a contentious book that will likely add fuel to the ongoing and often fiery debates around contemporary criticism, the imprint of influence, and the nature of creativity. Controversial or not, the collection is a valuable artifact..."</span></div><div><span style="font-family: ratio-1, ratio-2, GillSans, Verdana, sans-serif; font-size: 14px; line-height: 21px; text-align: justify; background-color: rgb(253, 253, 252); "><br /></span></div><div><span style="font-family: ratio-1, ratio-2, GillSans, Verdana, sans-serif; font-size: 14px; line-height: 21px; text-align: justify; background-color: rgb(253, 253, 252); ">Read it all at <a href="http://www.blogger.com/A%20book%20about%20Joyce%E2%80%99s%20books,%20Unknown%20Arts%20can%20be%20read%20as%20analysis,%20distortion,%20homage,%20and/or%20a%20work%20of%20art%20all%20of%20its%20own.%20It%20is%20doubtless%20a%20contentious%20book%20that%20will%20likely%20add%20fuel%20to%20the%20ongoing%20and%20often%20fiery%20debates%20around%20contemporary%20criticism,%20the%20imprint%20of%20influence,%20and%20the%20nature%20of%20creativity.%20Controversial%20or%20not,%20the%20collection%20is%20a%20valuable%20artifact">HTML Giant</a>.</span></div>William Walshhttp://www.blogger.com/profile/17162620450202341649noreply@blogger.comtag:blogger.com,1999:blog-564928868925396068.post-52691639563253795482012-03-10T06:10:00.007-08:002012-03-10T06:34:30.584-08:00Recommending Beckett at Post Road<a href="http://www.postroadmag.com/21/recommends/walsh.phtml"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 128px; height: 188px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGvQq_yxWQUzkBf6IvDYgUJukbhlYnsIl_YGZq99QAtaWVMgbxG-J-7CBLlJt2XKcnRNufqomBUchlkSuroHkbY13IQWjpSoOjJtkLEtNRyFSl3zTUxLQiDyHSVRqyPuAjyzVzzX3PsAUd/s320/beckett_1stLove.jpg" alt="" id="BLOGGER_PHOTO_ID_5718272183003793010" border="0" /></a>Just noticed that <a style="font-style: italic;" href="http://www.postroadmag.com/21/recommends/walsh.phtml">Post Road</a> has posted my recommendation of <a href="http://www.postroadmag.com/21/recommends/walsh.phtml">"First Love"</a> by Samuel Beckett, which appeared in issue 21(Fall/Winter 2010).<br /><br /><a style="font-style: italic;" href="http://www.postroadmag.com/21/recommends/walsh.phtml">Post Road</a> 21 is a great issue, with work from Michael Martone, Michael Kimball, Meredith Steinbach, and many others. Recommendations is a running feature in <a href="http://www.postroadmag.com/21/recommends/walsh.phtml"><span style="font-style: italic;">Post Road</span></a>. Authors share brief appreciations of their favorite (and often overlooked) books.<br /><br />Here's a clip from my recommendation of <a href="http://www.postroadmag.com/21/recommends/walsh.phtml">"First Love"</a>:<br /><br />"The unnamed narrator of "First Love" will be familiar to you. You've met him before. He is much like Molloy and Malone and the unnamed narrator in <span style="font-style: italic;">The Unnameable</span>. He is not unlike Belacqua from Beckett's short story "Dante and the Lobster"—he even uses the term "lepping." And like Krapp, he has a taste for bananas. But while Belacqua's first love is blissful Beatrice, from Dante's <span style="font-style: italic;">Inferno</span>, and Krapp spools and re-spools his recorded memory of lovingly reading a "page a day, with tears" of Fontane's Effi Briest, the narrator of "First Love" is less literary and more corporeal: he marries a prostitute named Lulu."<br /><br />Read it all...at <a style="font-style: italic;" href="http://www.postroadmag.com/21/recommends/walsh.phtml">Post Road</a>.<br /><div style="text-align: left;"><br /></div>William Walshhttp://www.blogger.com/profile/17162620450202341649noreply@blogger.comtag:blogger.com,1999:blog-564928868925396068.post-40881111308597204732012-02-13T16:32:00.000-08:002012-02-13T16:39:25.362-08:00Ampersand Review<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9fBCFcnvKWbeXyJNpLMyF2RoEJEGLw0kZ2ZcdonfW-HReA2xJi4tX5HR0ObEKi2ge1gdaLFyv6c6JAx0aAfCqZXUhtZJpBjL0wTomziRzl9wttn7pzrgPl_PK5lWmoIvCs1lC0goYdLGL/s1600/tnb_logo.gif"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 62px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9fBCFcnvKWbeXyJNpLMyF2RoEJEGLw0kZ2ZcdonfW-HReA2xJi4tX5HR0ObEKi2ge1gdaLFyv6c6JAx0aAfCqZXUhtZJpBjL0wTomziRzl9wttn7pzrgPl_PK5lWmoIvCs1lC0goYdLGL/s320/tnb_logo.gif" alt="" id="BLOGGER_PHOTO_ID_5708784135077041506" border="0" /></a>Richard Thomas gave <span style="font-style: italic;">Ampersand, Mass.</span> a pretty thorough read over at the <a style="font-style: italic;" href="http://www.thenervousbreakdown.com/rthomas/2012/02/review-of-ampersand-mass-by-william-walsh/">The Nervous Breakdown</a>.<br /><blockquote></blockquote><blockquote>"These tales run the gamut from fantastical and bizarre to sweet and touching to heartbreaking and morose. Sounds like life—like most towns, big or small. But in his unique point of view, Walsh unveils relationships that are familiar, and yet, not quite right—a twist or oddity that makes these tales his own."</blockquote>Thanks to Richard and <a href="http://www.blogger.com/These%20tales%20run%20the%20gamut%20from%20fantastical%20and%20bizarre%20to%20sweet%20and%20touching%20to%20heartbreaking%20and%20morose.%20Sounds%20like%20life%C3%A2%C2%80%C2%94like%20most%20towns,%20big%20or%20small.%20But%20in%20his%20unique%20point%20of%20view,%20Walsh%20unveils%20relationships%20that%20are%20familiar,%20and%20yet,%20not%20quite%20right%C3%A2%C2%80%C2%94a%20twist%20or%20oddity%20that%20makes%20these%20tales%20his%20own."><span style="font-style: italic;">TNB</span></a>.William Walshhttp://www.blogger.com/profile/17162620450202341649noreply@blogger.comtag:blogger.com,1999:blog-564928868925396068.post-50955822040442560632012-01-31T09:48:00.000-08:002012-01-31T09:53:18.315-08:00Research NotesI've got a <a href="http://necessaryfiction.com/blog/ResearchNotesWilliamWalsh">Research Notes</a> piece on <a style="font-style: italic;" href="http://keyholepress.com/store/books/">Unknown Arts</a> at <a href="http://necessaryfiction.com/blog/ResearchNotesWilliamWalsh">Necessary Fiction</a>.<br /><br />It's all about the research. I don't have a PhD. That's not an apology. Unless you want an apology. In that case, sorry I don't have a PhD.<span style="font-weight: bold;"> </span><br /><br /><a href="http://necessaryfiction.com/blog/ResearchNotesWilliamWalsh">OK?</a><span style="font-weight: bold;"><br /></span>William Walshhttp://www.blogger.com/profile/17162620450202341649noreply@blogger.comtag:blogger.com,1999:blog-564928868925396068.post-59989426677489205762012-01-14T16:42:00.000-08:002012-01-14T17:08:49.628-08:00I am a man of constant borrow...<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9qf1Tc70d-A8rmE7ztvS2oe9vrNL4158LnKcXMhP6rTpUoyJjvZfg0_ssNWem-auK_2JOQinnZZke8ArcPXwiCsF4q1p_QN6okDHYPmiyeWipGWkwPlM9SWDFcgnveD-YDmRL3_mcGMRM/s1600/pogue-cvr.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 239px; height: 239px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9qf1Tc70d-A8rmE7ztvS2oe9vrNL4158LnKcXMhP6rTpUoyJjvZfg0_ssNWem-auK_2JOQinnZZke8ArcPXwiCsF4q1p_QN6okDHYPmiyeWipGWkwPlM9SWDFcgnveD-YDmRL3_mcGMRM/s200/pogue-cvr.jpg" alt="" id="BLOGGER_PHOTO_ID_5697654287673894722" border="0" /></a><br /><a href="http://keyholepress.com/authors/william-walsh/books/unknown-arts/"><span style="font-style: italic;">Unknown Arts</span></a> is available for <a href="http://keyholepress.com/authors/william-walsh/books/unknown-arts/">pre-order</a> at Keyhole Press. $14.95, includes shipping.<br /><br />Release date is February 2, 2012.<br /><br />Order information for digital editions soon to follow.<br /><br />It's a collection of 40 borrowings from Joyce's <span style="font-style: italic;">Ulysses, Dubliners, A Portrait of the Artist as a Young Man, Finnegans Wake, Exiles, Pomes Pennyeach, Chamber Music, Giacomo Joyce, </span>and his collected letters.<br /><br />A few of these poems and text pieces have appeared in a few journals over the last few years, namely <span style="font-style: italic;">elimae, Artifice, Admit2, Big Other, Annalemma, Mudluscious, Monkeybicylce, FlatmanCrooked, The Scrambler,</span> and <span style="font-style: italic;">H_NGM_N</span>. Thanks to the good folks running those fine journals.<br /><br />And special thanks to <a href="http://keyholepress.com/authors/william-walsh/books/unknown-arts/">Keyhole Press</a> for sticking its neck out--again.William Walshhttp://www.blogger.com/profile/17162620450202341649noreply@blogger.comtag:blogger.com,1999:blog-564928868925396068.post-50570494444229884462012-01-07T19:17:00.001-08:002012-01-08T06:06:50.482-08:00UNKNOWN ARTS<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWyoLCagiMhGk0_Tf6OURoiJ4YZH3-cNuWL6ycZg_NULrJKumrS8z8AGXA1Bt9VF00qo2HfZHJ4iPoGtLPRMc-ZYfz6ChmjzxmwMyNIAl0xcAEIo_28QuJob7aEpAHWKrqdr1yT6L5uLjd/s1600/unknown_arts.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 260px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWyoLCagiMhGk0_Tf6OURoiJ4YZH3-cNuWL6ycZg_NULrJKumrS8z8AGXA1Bt9VF00qo2HfZHJ4iPoGtLPRMc-ZYfz6ChmjzxmwMyNIAl0xcAEIo_28QuJob7aEpAHWKrqdr1yT6L5uLjd/s400/unknown_arts.jpg" alt="" id="BLOGGER_PHOTO_ID_5695096204019657794" border="0" /></a><!--[if gte mso 9]><xml> <w:worddocument> <w:view>Normal</w:View> <w:zoom>0</w:Zoom> <w:trackmoves/> <w:trackformatting/> <w:punctuationkerning/> <w:validateagainstschemas/> <w:saveifxmlinvalid>false</w:SaveIfXMLInvalid> <w:ignoremixedcontent>false</w:IgnoreMixedContent> <w:alwaysshowplaceholdertext>false</w:AlwaysShowPlaceholderText> <w:donotpromoteqf/> <w:lidthemeother>EN-US</w:LidThemeOther> <w:lidthemeasian>X-NONE</w:LidThemeAsian> <w:lidthemecomplexscript>X-NONE</w:LidThemeComplexScript> <w:compatibility> <w:breakwrappedtables/> <w:snaptogridincell/> <w:wraptextwithpunct/> <w:useasianbreakrules/> <w:dontgrowautofit/> <w:splitpgbreakandparamark/> <w:dontvertaligncellwithsp/> <w:dontbreakconstrainedforcedtables/> <w:dontvertalignintxbx/> <w:word11kerningpairs/> <w:cachedcolbalance/> </w:Compatibility> <w:browserlevel>MicrosoftInternetExplorer4</w:BrowserLevel> <m:mathpr> <m:mathfont val="Cambria Math"> <m:brkbin val="before"> <m:brkbinsub val="--"> <m:smallfrac val="off"> <m:dispdef/> <m:lmargin val="0"> <m:rmargin val="0"> <m:defjc val="centerGroup"> <m:wrapindent val="1440"> <m:intlim val="subSup"> <m:narylim val="undOvr"> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:latentstyles deflockedstate="false" defunhidewhenused="true" defsemihidden="true" defqformat="false" defpriority="99" latentstylecount="267"> <w:lsdexception locked="false" priority="0" semihidden="false" unhidewhenused="false" qformat="true" name="Normal"> <w:lsdexception locked="false" priority="9" semihidden="false" unhidewhenused="false" qformat="true" name="heading 1"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 2"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 3"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 4"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 5"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 6"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 7"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 8"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 9"> <w:lsdexception locked="false" priority="39" name="toc 1"> <w:lsdexception locked="false" priority="39" name="toc 2"> <w:lsdexception locked="false" priority="39" name="toc 3"> <w:lsdexception locked="false" priority="39" name="toc 4"> <w:lsdexception locked="false" priority="39" name="toc 5"> <w:lsdexception locked="false" priority="39" name="toc 6"> <w:lsdexception locked="false" priority="39" name="toc 7"> <w:lsdexception locked="false" priority="39" name="toc 8"> <w:lsdexception locked="false" priority="39" name="toc 9"> <w:lsdexception locked="false" priority="35" qformat="true" name="caption"> <w:lsdexception locked="false" priority="10" semihidden="false" unhidewhenused="false" qformat="true" name="Title"> <w:lsdexception locked="false" priority="1" name="Default Paragraph Font"> <w:lsdexception locked="false" priority="11" semihidden="false" unhidewhenused="false" qformat="true" name="Subtitle"> <w:lsdexception locked="false" priority="22" semihidden="false" unhidewhenused="false" qformat="true" name="Strong"> <w:lsdexception locked="false" priority="20" semihidden="false" unhidewhenused="false" qformat="true" name="Emphasis"> <w:lsdexception locked="false" priority="59" semihidden="false" unhidewhenused="false" name="Table Grid"> <w:lsdexception locked="false" unhidewhenused="false" name="Placeholder Text"> <w:lsdexception locked="false" priority="1" semihidden="false" unhidewhenused="false" qformat="true" name="No Spacing"> <w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading"> <w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List"> <w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid"> <w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1"> <w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2"> <w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1"> <w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2"> <w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1"> <w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2"> <w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3"> <w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List"> <w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading"> <w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List"> <w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid"> <w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 1"> <w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 1"> <w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 1"> <w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 1"> <w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 1"> <w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 1"> <w:lsdexception locked="false" unhidewhenused="false" name="Revision"> <w:lsdexception locked="false" priority="34" semihidden="false" unhidewhenused="false" qformat="true" name="List Paragraph"> <w:lsdexception locked="false" priority="29" semihidden="false" unhidewhenused="false" qformat="true" name="Quote"> <w:lsdexception locked="false" priority="30" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Quote"> <w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 1"> <w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 1"> <w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 1"> <w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 1"> <w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 1"> <w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 1"> <w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 1"> <w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 1"> <w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 2"> <w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 2"> <w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 2"> <w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 2"> <w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 2"> <w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 2"> <w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 2"> <w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 2"> <w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 2"> <w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 2"> <w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 2"> <w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 2"> <w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 2"> <w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 2"> <w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 3"> <w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 3"> <w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 3"> <w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 3"> <w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 3"> <w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 3"> <w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 3"> <w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 3"> <w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 3"> <w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 3"> <w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 3"> <w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 3"> <w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 3"> <w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 3"> <w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 4"> <w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 4"> <w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 4"> <w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 4"> <w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 4"> <w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 4"> <w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 4"> <w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 4"> <w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 4"> <w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 4"> <w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 4"> <w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 4"> <w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 4"> <w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 4"> <w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 5"> <w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 5"> <w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 5"> <w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 5"> <w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 5"> <w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 5"> <w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 5"> <w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 5"> <w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 5"> <w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 5"> <w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 5"> <w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 5"> <w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 5"> <w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 5"> <w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 6"> <w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 6"> <w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 6"> <w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 6"> <w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 6"> <w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 6"> <w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 6"> <w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 6"> <w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 6"> <w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 6"> <w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 6"> <w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 6"> <w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 6"> <w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 6"> <w:lsdexception locked="false" priority="19" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Emphasis"> <w:lsdexception locked="false" priority="21" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Emphasis"> <w:lsdexception locked="false" priority="31" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Reference"> <w:lsdexception locked="false" priority="32" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Reference"> <w:lsdexception locked="false" priority="33" semihidden="false" unhidewhenused="false" qformat="true" name="Book Title"> <w:lsdexception locked="false" priority="37" name="Bibliography"> <w:lsdexception locked="false" priority="39" qformat="true" name="TOC Heading"> </w:LatentStyles> </xml><![endif]--><!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style> <![endif]--> <p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: normal;"><span style=" Times New Roman","serif";font-family:";font-size:85%;" ><span style="font-style: italic;">Unknown Arts</span> is coming very soon.<br /><br />Texts and poems derived from the works of James Joyce. A few have appeared here and there. In <span style="font-style: italic;">Artifice #1, elimae, Admit 2, The Scrambler, Mudluscious, Monkeybicycle,</span> and elsewhere.<br /><br />The image on the front cover is a St. Brigid's Cross made from McDonalds' straws.<br /><br />Here's what's on the back cover:<i style="mso-bidi-font-style:normal"><br /><br />Unknown Arts</i>, to use a Joycean coinage, is a thinkling. Walsh offers a series of critical appropriations—poems, stories, and a silent play—drawn from <i style="mso-bidi-font-style:normal">Ulysses, Finnegans Wake, A Portrait of the Artist as a Young Man, Dubliners, </i>and more. "Enjombyourselves thurily!"</span></p><p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt;line-height: normal"><span style="font-family:"Times New Roman","serif"; mso-fareast-Times New Roman"font-family:";font-size:85%;" >"Art critic Thomas Hess found that the only worthwhile criticism of a work of art is another work of art. William Walsh must feel this too, because he does not merely document and rearrange Joyce's work here—he makes, with Joyce's materials, his own music. Each piece is a lovely read, and a reminder not of totemic, hallowed literature, but of how personal and playful the act of reading really is."<br /> - Darcie Dennigan, <i style="mso-bidi-font-style:normal">Corinna A-Maying the Apocalypse</i> (Fordham University Press)<br /><br />"A mixup, an accumulation; William Walsh faithfully divines James Joyce and his multiflex bodies. Here is a man (two men, I mean, meant to mingle, both) once won of song and slave to rhythm; sum dumb, fully plumbed. Here is a truly prazeful recapitulation! Read."<br /> - Ken Baumann, <i style="mso-bidi-font-style:normal">Solip</i> (Tyrant Books)</span></p> <p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt;line-height: normal"><span style="font-family:"Times New Roman","serif"; mso-fareast-Times New Roman"font-family:";font-size:85%;" ><br />More informaton to follow...</span><span style="font-size:10.0pt;"></span></p>William Walshhttp://www.blogger.com/profile/17162620450202341649noreply@blogger.comtag:blogger.com,1999:blog-564928868925396068.post-46875541773876938842012-01-06T09:26:00.000-08:002012-01-06T09:34:57.952-08:00Hello Week iPhone/iPad Story App<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih_Xr_0Jrbo6VsloATetvM2pTZc228ety-hmyoTw7XObNBf3qdJ2klkMzH6wi47kdOv38Q4NWNN2-8_PpZUlNrMtF9sjayKZ4MbKkyNJ1hmjvKDYDu1hco0XaDEsUOMJhSVFykaAhuWedK/s1600/hw_cover.png"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 267px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih_Xr_0Jrbo6VsloATetvM2pTZc228ety-hmyoTw7XObNBf3qdJ2klkMzH6wi47kdOv38Q4NWNN2-8_PpZUlNrMtF9sjayKZ4MbKkyNJ1hmjvKDYDu1hco0XaDEsUOMJhSVFykaAhuWedK/s400/hw_cover.png" alt="" id="BLOGGER_PHOTO_ID_5694573753133637106" border="0" /></a>Touchoo Books has released our children's story "<a href="http://itunes.apple.com/us/app/hello-week/id489113791?mt=8">Hello Week</a>" as a neat little book app. And coming soon for Android devices.<br /><br />It's about a little boy who has a one-word vocabulary. That word is hello. He says hello to everything that he sees for one week.<br /><br />It's only $2.99 at the<a href="http://itunes.apple.com/us/app/hello-week/id489113791?mt=8"> iTunes store</a>, and it's totally charming. <a href="http://itunes.apple.com/us/app/hello-week/id489113791?mt=8">C'mon</a>.William Walshhttp://www.blogger.com/profile/17162620450202341649noreply@blogger.comtag:blogger.com,1999:blog-564928868925396068.post-56520814641343222692011-06-18T04:30:00.000-07:002011-06-18T04:39:20.101-07:00HELLO WEEK<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-Mtv6C0wnx6Y/TfyMiZsheuI/AAAAAAAAAcA/8FS05oChtthttp://www.blogger.com/img/blank.gifp://www.blogger.com/img/blank.gifPRDw/s1600/touchoo-logo.png"><img style="float:http://www.blogger.com/img/blank.gifleft; margin:0 10px 10px 0;cursor:pointerhttp://www.blogger.com/img/blank.gif; cursor:hand;width: 320px; height: 110px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBh5ZmQ5r0ApqOvUGBB9g_1I6w6i3oRE7A1_Z5kcviEbNiJE_Ym3b1wJbOdKTWCIEpTPMmra1pV3BTEITvaazUZrVFleLdTbr0LaiDar2NeMpj1aVOJyPT5XAvwH0aWGg28lNYS_-6Jnz0/s320/touchoo-logo.png" alt="" id="BLOGGER_PHOTO_ID_5619520957692607202" border="0" /></a><br /><a href="http://touchoo.com/editorial/peek-creation-book-week">Touchoo Books</a> has posted a <a href="http://touchoo.com/editorial/peek-creation-book-week">Q&A</a> with me and <a href="http://www.kimedge.com/">Kim Edge-Ambler</a> about our forthcoming children's book-app, "<a href="http://touchoo.com/editorial/peek-creation-book-week">Hello Week</a>." It's a childrens' story told in rhyme with super charming illustrations by Kim. You can read it to your kids from your iPhone, iPad, or other touchscreen device. More details to follow...William Walshhttp://www.blogger.com/profile/17162620450202341649noreply@blogger.comtag:blogger.com,1999:blog-564928868925396068.post-168218345607463322011-06-16T12:38:00.000-07:002011-06-16T12:44:21.018-07:00FlowersdayCelebrating Bloomsday today with a piece up at <a href="http://kambybolongomeanriver.blogspot.com/2011/06/no-news-today-guest-post-william-walsh.html">No News Today</a> called "Flowers of Idleness, which tracks Henry Flower, Bloom's alias, as he appears in episode five of Ulysses, Lotus Eaters. Thanks to Robert Lopez for letting me share this news today at <a href="http://kambybolongomeanriver.blogspot.com/2011/06/no-news-today-guest-post-william-walsh.html">No News Today</a>.William Walshhttp://www.blogger.com/profile/17162620450202341649noreply@blogger.comtag:blogger.com,1999:blog-564928868925396068.post-25463830160626873802011-03-29T05:29:00.000-07:002011-04-01T03:12:55.929-07:00RE:Telling<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrnVIOTsP3bGS-xT-RgwF-3xHeEmDNvOVooh35sBPn178Tjh5pG6rh91x10o5LwswbOXRVV1RtIA15I-EObe-KOKSsu7L5aJartiaqkZ9CFmK4xuvGPWwEOb2sFWeodWP0DpuYdnZQicW8/s1600/re-tell-ltl.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 100px; height: 155px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrnVIOTsP3bGS-xT-RgwF-3xHeEmDNvOVooh35sBPn178Tjh5pG6rh91x10o5LwswbOXRVV1RtIA15I-EObe-KOKSsu7L5aJartiaqkZ9CFmK4xuvGPWwEOb2sFWeodWP0DpuYdnZQicW8/s320/re-tell-ltl.jpg" alt="" id="BLOGGER_PHOTO_ID_5589485380637780370" border="0" /></a><br /><a href="http://ampersand-books.com/store/re-telling/"><span style="font-style: italic;">RE:Telling</span></a>, an anthology of short stories (and some poems) told with borrowed premises, appropriated characters, and stolen settings, is available now from <a href="http://ampersand-books.com/">Ampersand Books</a>.<br /><br /><a href="http://ampersand-books.com/store/re-telling/"><span style="font-style: italic;">RE:Telling</span></a> is Matt Bell, Roxane Gay, Molly Gaudry, Daniel Grandbois, Joseph Riippi, Zachary Mason, Samantha Hunt, Pedro Ponce, Jesse Bradley, Darcie Dennigan, Alicia Gifford, Jim Ruland, Josh Maday, Steve Himmer, Erin Fitzgerald, Curtis Smith, Timothy Gager, Shya Scanlon, Tom LaFarge, Lily Hoang & Kathleen Rooney, Jeff Brewer, Crispin Best, Peter Conners, Teresa Buzzard, Michael Kimball, Corey Mesler, Heather Fowler, Henry Jenkins, Wendy Walker, Michael Martone, and Blake Butler.<br /><br /><a href="http://ampersand-books.com/store/re-telling/"><span style="font-style: italic;">RE:Telling</span></a> riffs on Shakespeare, cartoon characters, folklore and nursery rhyme, video games, stage drama, mythology, popular novels, movies, television, the Old Testament, and more.<br /><br /><a href="http://ampersand-books.com/store/re-telling/"><span style="font-style: italic;">RE:Telling</span></a> is available at <a href="http://www.amazon.com/Re-Telling-Various-Authors/dp/0984102566/ref=sr_1_2?s=books&ie=UTF8&qid=1300806499&sr=1-2">Amazon</a>, <a href="http://www.spdbooks.org/Producte/9780984102563/retelling.aspx">Small Press Distribution</a>, and <a href="https://www.paypal.com/us/cgi-bin/webscr?cmd=_flow&SESSION=wcuASHDuojJtouIhzza3yI7fmyeqRiGpWO-lgC54-dqa-IEmz3WFK9PVKay&dispatch=50a222a57771920b6a3d7b606239e4d529b525e0b7e69bf0224adecfb0124e9b61f737ba21b081985230a0d2e1cd989dfdb476d0cbcd3a80">Ampersand Books</a>.<br /><br /><a href="http://ampersand-books.com/store/re-telling/"><span style="font-style: italic;">RE:Telling</span></a> has a <a href="http://retelling.tumblr.com/">Tumblr</a> with contributor interviews and other important content.<br /><br /><a href="http://ampersand-books.com/store/re-telling/"><span style="font-style: italic;">RE:Telling</span></a> has been reviewed (so far) at <a style="font-style: italic;" href="http://timeoutchicago.com/arts-culture/books/247735/re-telling-edited-by-william-walsh">TimeOut Chicago</a> and <a style="font-style: italic;" href="http://www.prickofthespindle.com/reviews/5.1/small%20presses/re-telling/retelling.htm">Prick of the Spindle</a>.<br /><br /><a href="http://ampersand-books.com/store/re-telling/"><span style="font-style: italic;">RE:Telling</span></a> is at <a href="http://www.goodreads.com/book/show/10145375-re">GoodReads</a>, so you can add it to your bookshelf.<br /><br />Here's a preview of <span style="font-style: italic;">RE: Telling</span> featuring work from Matt Bell, Roxane Gay, Molly Gaudry, and Teresa Buzzard.<br /><br /><div><embed src="http://static.issuu.com/webembed/viewers/style1/v1/IssuuViewer.swf" type="application/x-shockwave-flash" allowfullscreen="true" menu="false" quality="high" scale="noscale" salign="l" flashvars="mode=embed&layout=http%3A%2F%2Fskin.issuu.com%2Fv%2Flight%2Flayout.xml&showFlipBtn=true&documentId=110301052226-36749000e39a416bba8a4adbbf35eb95&docName=retelling&username=theampersand&loadingInfoText=Re%3ATelling&et=1301401711014&er=65" style="width: 300px; height: 232px;" name="flashticker" align="middle"></embed><div style="width: 300px; text-align: left;"><a href="http://issuu.com/theampersand/docs/retelling?mode=embed&layout=http%3A%2F%2Fskin.issuu.com%2Fv%2Flight%2Flayout.xml&showFlipBtn=true" target="_blank">Open publication</a> - Free <a href="http://issuu.com/" target="_blank">publishing</a> - <a href="http://issuu.com/search?q=anthology" target="_blank">More anthology</a></div></div>William Walshhttp://www.blogger.com/profile/17162620450202341649noreply@blogger.comtag:blogger.com,1999:blog-564928868925396068.post-17388955696895061542010-10-25T17:44:00.000-07:002011-03-03T19:18:34.766-08:00"O!" in H_NGM_N #11<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeqoaxYlenJJ5hlVhFBDK0uA0lZyI-kTFDGz_9RvzSKAqObcpC3gPjXguFykYWb8OSWFPldDh94AFBkfeHccA5_qOKFJDnm8BAhTHWW4i6jyMl_ZpXLiwULTeiwCiIplxuCtqyibJFAc6u/s1600/h_ngm_n.gif"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 47px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeqoaxYlenJJ5hlVhFBDK0uA0lZyI-kTFDGz_9RvzSKAqObcpC3gPjXguFykYWb8OSWFPldDh94AFBkfeHccA5_qOKFJDnm8BAhTHWW4i6jyMl_ZpXLiwULTeiwCiIplxuCtqyibJFAc6u/s320/h_ngm_n.gif" alt="" id="BLOGGER_PHOTO_ID_5532149597248185010" border="0" /></a>"O!" a poem derived from <i>Finnegans Wake</i> by James Joyce, is featured in the "From" section of <a href="http://www.h-ngm-n.com/h_ngm_n-11/william-walsh.html">H_NGM_N # 11</a>.<div><br /></div><div>"O!" tracks the sentences in the novel that end like this: o!<br /></div><div><br /></div><div><a href="http://www.h-ngm-n.com/h_ngm_n-11/william-walsh.html">Check it out!</a></div>William Walshhttp://www.blogger.com/profile/17162620450202341649noreply@blogger.comtag:blogger.com,1999:blog-564928868925396068.post-55506979066561885922010-09-28T12:29:00.001-07:002010-09-28T12:35:08.310-07:00Small Press Saturday @ Newtonville Books<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.newtonvillebooks.com/"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 244px; height: 171px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOjNfKnwY98AvbmT5hNDMK9ZAoPUomSZXPgAcnDMD5rSQ-5HFv6xKR9B0Dclr3YQp40XCtqA3iiRkkIJ-jcO_EvzA-LwpRPt8mYamqEzQ1D3a0td1EtDzAbUocsauLXvw8-Ge_X1YqcFBM/s320/newtonville_store.jpg" alt="" id="BLOGGER_PHOTO_ID_5522048938205421170" border="0" /></a><br /><strong>I'll be reading this Saturday, October 2nd at <a href="http://www.newtonvillebooks.com/">Newtonville Books</a>. Show starts at 2PM.<br /><br />Small Press Saturday features Ampersand Books, Dzanc Books, Madras Press, Rose Metal Press, and Small Anchor Press.<br /> </strong> <p>Here's the rundown:<br /></p> <p>Ampersand Books: Benjamin Lowenkron will read from PREACHER'S BLUES</p> <p>Dzanc Books: William Walsh and Myfanwy Collins will read from THE BEST OF THE WEB 2010</p> <p>Madras Press: Editor Sumanth Prabhaker will read "A Manual for Sons" by Donald Barthelme, the first Madras Press Classic Reprint</p> <p>Rose Metal Press: Adam Golaski will read from COLOR PLATES</p> <p>Small Anchor Press: Joseph McElroy will read from PREPARATIONS FOR SEARCH<br /></p><p>Newtonville Books is located at 296 Walnut Street in Newton, Massachusetts.<br /></p>William Walshhttp://www.blogger.com/profile/17162620450202341649noreply@blogger.comtag:blogger.com,1999:blog-564928868925396068.post-11793572902086390752010-08-13T13:32:00.000-07:002010-08-13T13:43:07.044-07:00Salem Lit Fest is NOT Witchy<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjPbBeT9V9O9iszi9caO2ba0oCbm2AXUfwXB7G7nA8PeqhMMJHbR2Q0x7EVbcimw5fL0lT29bxWrlWkR88R7S80QeOcu7-aT6DuLTavm_XbhQRdgoaPRdOHiLeDPrTIh_uCBDrSkVWPP_O/s1600/slf-logo.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 38px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjPbBeT9V9O9iszi9caO2ba0oCbm2AXUfwXB7G7nA8PeqhMMJHbR2Q0x7EVbcimw5fL0lT29bxWrlWkR88R7S80QeOcu7-aT6DuLTavm_XbhQRdgoaPRdOHiLeDPrTIh_uCBDrSkVWPP_O/s320/slf-logo.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5504995687165112546" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM_ZSPcq6lkowdxKACGNh7Prd3pDB1_yiItvQC52rnw-XrZHdch58WKHCDnVilKM1QBLy-gpg6djfyQMlhj-kV_GN303cgoHELbWb7NO1QSPsRid0TH-sUKBnU3m2rejywuAr96p8-Q6Kh/s1600/slf-logo.jpg"><br /></a><br /><div>I'll be reading at the <a href="http://www.salemlitfest.com/">Salem Literary Festival </a>on Saturday, September 18th (5PM - 7PM).</div><div><br /></div><div>It's <a href="http://www.salemlitfest.com/quick-fiction-utter-amazement">Quick Fiction's Utter Amazement</a> program at <a href="http://maps.google.com/maps?f=d&hl=en&geocode=&daddr=247+Essex+Street,+Salem,+MA+01970+(Gulu-Gulu+Caf%C3%A9)">Gulu-Gulu Cafe</a>. The big news is who I'm reading with. <a href="http://www.salemlitfest.com/authors">Quite a lineup</a>: Steve Almond, Kim Chinquee, Myfanwy Collins, Brian Evenson, and Michael Thurston. </div><div><br /></div><div>It's in Salem, Mass. But, again, it's not witchy.</div>William Walshhttp://www.blogger.com/profile/17162620450202341649noreply@blogger.comtag:blogger.com,1999:blog-564928868925396068.post-48831994695591006352010-06-26T04:50:00.000-07:002010-06-26T05:07:00.248-07:00Money Getting<a href="http://kenyonreview.org/blog/?p=9675"><img id="BLOGGER_PHOTO_ID_5487048897341714402" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 200px; CURSOR: hand; HEIGHT: 198px" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmdbU8Ba2Zb3Xyg6fx1Db1dOhOxrULOhT6IwMcGCMDZubU_eVsdqJ0dqa0xCN8G169aScVO5zPp7zIjgPWoyM_eYxU-baNqRvGCGrB2QDO83J4Fz_WiGMn_V7EC3iYmetpN39QBpm5cbe2/s200/barnum_50cents.jpg" border="0" /></a><br /><div>Been running a serial at <a href="http://kenyonreview.org/blog/?p=9675">The Kenyon Review Blog </a>called Money Getting. It's a verse digest of P.T. Barnum's <em>The Art of Money Getting</em> (1880).</div><div></div><div>Here's a sample of how a verse digest works...</div><div></div><div>Original sentence:<br /><br />"It is a slavish position to get in, yet we find many a young man, hardly out of his "teens," running in debt."<br /><br /></div><div></div><div></div><div>That sentence digested in verse:<br /><br />a slavish position<br />running in debt</div><div></div><div><br /><br />So far, seven of twenty-three parts posted: <a href="http://kenyonreview.org/blog/?p=9167">I</a>, <a href="http://kenyonreview.org/blog/?p=9249">II</a>, <a href="http://kenyonreview.org/blog/?p=9339#more-9339">III</a>, <a href="http://kenyonreview.org/blog/?p=9456">IV</a>, <a href="http://kenyonreview.org/blog/?p=9554">V</a>, <a href="http://kenyonreview.org/blog/?p=9597">VI</a>, <a href="http://kenyonreview.org/blog/?p=9675">VII</a>.</div>William Walshhttp://www.blogger.com/profile/17162620450202341649noreply@blogger.comtag:blogger.com,1999:blog-564928868925396068.post-22436812561390781182010-06-16T11:33:00.000-07:002011-08-06T18:17:02.785-07:00Bloomsday 2010 Shenanigans<a href="http://en.wikipedia.org/wiki/Leopold_Bloom"><img id="BLOGGER_PHOTO_ID_5483442345296209922" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 160px; CURSOR: hand; HEIGHT: 200px" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggv4w6-gvJE7oFTTSJPUg7HnWeqrN47xoEyinyXpd5kkI3il9XVH7iQopKzFKkbWi4VC2E8PSE09MW166Ml1UwP1Cwfl3gZ8qm2Qj7l00CB0D5T1uJzvBkRIt6fiB81c-BWzrhb37CXfnu/s200/Bloom_by_Joyce.png" border="0" /></a><br /><div>Rejoycing this Bloomsday on the web , June 16, 2010: </div><div><br />- A Blooming at <a href="http://annalemma.net/blog/hapy-bloomsday.html" mce_href="http://annalemma.net/blog/hapy-bloomsday.html"><strong>Annalemma</strong></a>. </div><div><br />- A stroll though Dublin with Father Conmee at <a href="http://www.artificemag.com/blog/bloomsday-2010.html" mce_href="http://www.artificemag.com/blog/bloomsday-2010.html"><strong>Artifice</strong></a>. </div><div><br />- A Pounding from Pound and a nine-parted gestation at <a href="http://tinyurl.com/bigotherbloom" mce_href="http://tinyurl.com/bigotherbloom"><strong>Big Other</strong></a> </div><div><br />- A stout piece at <a href="http://www.keyholepress.com/william-walsh/boys-of-kilkenny" mce_href="http://www.keyholepress.com/william-walsh/boys-of-kilkenny"><strong>Keyhole Press</strong></a>. </div><div><br />- A letter to Bloom at <a href="http://letterswithcharacter.blogspot.com/2010/06/james-joyce-ulysses-1922.html" mce_href="http://letterswithcharacter.blogspot.com/2010/06/james-joyce-ulysses-1922.html "><strong>Letters With Character</strong></a>, the blog inspired by Ben Greenman’s new collection What He’s Poised To Do (Harper Perennial). LWC is running as many letters to Bloom as they can get today. </div><br /><div>- A salute to Poldy at <a href="http://kenyonreview.org/blog/?p=9562"><strong>The Kenyon Review Blog</strong></a>.</div><br /><div></div><div><strong><span style="color:#009900;">MANY THANKS</span></strong> to John Madera, Chris Heavener, Peter Cole, Ben Greenman, James Tadd Adcox, and Rebekah Silverman for celebrating Bloomsday 2010 with me. </div>William Walshhttp://www.blogger.com/profile/17162620450202341649noreply@blogger.comtag:blogger.com,1999:blog-564928868925396068.post-278204985568604442010-05-21T07:22:00.000-07:002010-05-21T07:50:13.947-07:00Recent Pathologies on the WebSome good words on <em>Pathologies</em> from Chris Heavener, publisher of <a href="http://annalemma.net/blog/120-in-2010-pathologies.html">Annalemma</a>:<br /><br />"Walsh slices his characters thin, then chooses which slice will show you their eventual trajectory."<br /><br />Read the whole post <a href="http://annalemma.net/blog/120-in-2010-pathologies.html">here</a>.<br /><br />And J.A. Tyler, author of <a href="http://thescrambler.com/eng/books/inconceivable-wilson/"><em>Inconceivable Wilson</em> </a>and the man behind <a href="http://www.mudlusciouspress.com/">Mudluscious Press</a>, presents "A Partial Study of these Pathologies" at <a href="http://bigother.com/2010/04/29/partial-study-of-these-pathologies/">Big Other</a>:<br /><br />"...Walsh’s <em>Pathologies</em>, in its seventeen micro-fictions, has a clear through-line & a vibrant arc..."<br /><br />Read the whole post and comments <a href="http://bigother.com/2010/04/29/partial-study-of-these-pathologies/">here</a>.<br /><br />And Timmy Waldron, author of <a href="http://www.amazon.com/gp/product/0977934322?ie=UTF8&tag=httpwwwgoodco-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0977934322&SubscriptionId=1MGPYB6YW3HWK55XCGG2">World Takes</a>, had some pathological questions to ask me at <a href="http://www.wordriot.org/archives/1308">Word Riot</a>, like:<br /><br /><strong>Timmy:</strong> Many of these stories have surreal elements to them, but you never take these stories into the impossible. Could you talk about this type of writing and what draws you to this kind of hyper reality?<br /><br /><strong>William:</strong> I like the story-ness of stories. Fiction shouldn’t try to be too realistic. Fiction is portrait and fiction is landscape, but fiction is not real. Stories should be an examination or dramatization of an idea or a feeling. A story should also bring a reader to know something or feel something new.<br /><br />Read the whole Q&A <a href="http://www.wordriot.org/archives/1308">here</a>.<br /><br />Finally, some sharp readers (like Ben Tanzer, Kathy Fish, Marc Lowe, Tim Jones-Yelvington, Jason Jordan) posted some <a href="http://www.goodreads.com/book/show/8104713-pathologies">sweet ratings of <em>Pathologies</em> </a>at <a href="http://www.goodreads.com/book/show/8104713-pathologies">GoodReads</a>.William Walshhttp://www.blogger.com/profile/17162620450202341649noreply@blogger.comtag:blogger.com,1999:blog-564928868925396068.post-58257681002570681862010-04-29T08:39:00.001-07:002010-04-29T08:43:54.731-07:00The Game of Stephen KingMy post on the <a href="http://kenyonreview.org/blog/?p=7992">Game of Stephen King </a>at the <a href="http://kenyonreview.org/blog/?p=7992">Kenyon Review Blog </a>has had over 165,000 page views. What?<br /><br />My next post is about the game of Kitty Kelley that I play with my aunts.William Walshhttp://www.blogger.com/profile/17162620450202341649noreply@blogger.comtag:blogger.com,1999:blog-564928868925396068.post-88793503359489074952010-04-27T07:50:00.000-07:002010-04-27T08:28:36.048-07:00New Pony Anthology<a href="http://www.amazon.com/New-Pony-Horse-Less-Anthology/dp/0557357764/ref=sr_1_4?ie=UTF8&s=books&qid=1272380673&sr=1-4"><img id="BLOGGER_PHOTO_ID_5464830783239227122" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 134px; CURSOR: hand; HEIGHT: 200px" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjtWIckW7LhB7hngyUfOC0yBteCotOxb3sCIBryGEaxGSEgh9ctqr_iEfxxTO4lPonZAreNsZVgbeCj8GH4K6VAZsGuT7fDZy5LpQBAEtA8eJb8ykszbtHq-ruBsy3qo5_ZfTgmAfdJS-G/s200/new_pony_cvr_frnt.jpg" border="0" /></a><br /><div><br /></div><div>Just got my contributor copy of <em>New Pony</em>, a Horse Less Press Anthology. </div><div><br />Some very cool stuff from Kate Schapira, Sandy Florian & DZ Delgado, Mathias Svalina & Julia Cohen, and Justin Taylor, who has an erasure poem of W.G. Sebald’s <em>The Emigrants</em> that I found spooky.</div><div><br />My contribution is "The Tepper Question: Isn't He Going Out?", which is derived from Calvin Trillin's novel on parking in NYC, <em>Tepper Isn't Going Out</em> (2001). There's a lot of this: "Going out? Are you going out? He’s not going out? What do you mean he’s not going out? Hey, are you going out or not, man? Are you going out or not? You’re not going out? I guess you’re not going out—uh? Are you going out to park?" But there's also a neat subplot on direct mail.</div><div><br /><em></em></div><div><em>New Pony</em> is available now at <a href="http://www.amazon.com/New-Pony-Horse-Less-Anthology/dp/0557357764/ref=sr_1_4?ie=UTF8&s=books&qid=1272380673&sr=1-4">Amazon.com</a>. </div><div></div><div></div>William Walshhttp://www.blogger.com/profile/17162620450202341649noreply@blogger.comtag:blogger.com,1999:blog-564928868925396068.post-47215238822795664342010-03-23T18:00:00.000-07:002010-03-23T18:27:40.443-07:00PATHOLOGIES<div><a href="http://www.keyholepress.com/pathologies/revision.html"><img id="BLOGGER_PHOTO_ID_5452000405297909058" style="WIDTH: 148px; CURSOR: hand; HEIGHT: 193px" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTi7kKptdRkRTVTzq6rKmtwv_etF8_ZIienpc59Axr4GTx0yZs6CfosJ4Acguyr1fGd4-lMZSHjjhQALLiI-vheRD_CMfYBZmHkM1uhnMz-mzspl4rl-l1fLP-cVRjbqlKC_U2QGT8Rgeg/s200/Pathologies_shadow.jpg" border="0" /></a><br /><br /><div>Keyhole Press is taking <a href="http://www.keyholepress.com/">pre-orders </a>for a new mini-book of short stories called <a href="http://www.keyholepress.com/">Pathologies</a>. </div><br /><div></div><div>It's about sixty pages. Seventeen shorts, about a third new and unpublished anyplace else. You can read a sample story, <a href="http://www.keyholepress.com/pathologies/revision.html">Revision</a>, at Keyhole. </div><br /><div></div><div>The cover was needlepointed by Keyhole publisher Peter Cole and his wife Annie. The back cover of the book shows the underside of their pathological stitchwork. Can't thank them enough for their hard work. </div><br /><div><a href="http://www.keyholepress.com/images/front-page/pathologies/front.jpg"><img id="BLOGGER_PHOTO_ID_5452003518546816002" style="WIDTH: 200px; CURSOR: hand; HEIGHT: 151px" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjh7z3h_RLLdxJAspHYjIqA3DgTlvBmgouzKjeas1mTae96N3PcCARwKTk4MbOU6704OfOkaieE0iVHyEnA4WlgfDkR5O9y7jZT-MIo0U8SWPDWoeNItOqtMACQJY_1ZbimUcYEuokQA_h0/s200/pathologies_frnt_bck.jpg" border="0" /></a></div><div> </div><div>Click <a href="http://www.keyholepress.com/images/front-page/pathologies/front.jpg">here </a>for <a href="http://www.keyholepress.com/images/front-page/pathologies/front.jpg">full-size </a>cover image (<a href="http://www.keyholepress.com/images/front-page/pathologies/front.jpg">the stitching</a>!).</div></div>William Walshhttp://www.blogger.com/profile/17162620450202341649noreply@blogger.comtag:blogger.com,1999:blog-564928868925396068.post-33795192106676768872010-02-23T07:33:00.000-08:002010-02-23T07:38:51.655-08:00Blogging at Kenyon Review<a href="http://kenyonreview.org/blog/?author=75"><img id="BLOGGER_PHOTO_ID_5441462774120019634" style="WIDTH: 200px; CURSOR: hand; HEIGHT: 30px" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjL4nTbIuW96SwdlSYbgsxCTGAykaNlh8bSPHgApZiKRjT_bgPMbOlMZPrQwj8fBBGtexFEcBU-HDEGKluLE0URi11MmLsl0LwLM5olR7qwgBbIc7B6akaCUiv3END2kSnMIsnoH7SlPEZB/s200/KR_blog.gif" border="0" /></a><br /><br />I've got a six-month gig blogging at <a href="http://kenyonreview.org/blog/?author=75">The Kenyon Review</a>.<br /><br />The goal is to post something semi-literary once a week. And I am planning a monthly feature on writers engaged in collaborative projects.<br /><br /><a href="http://kenyonreview.org/blog/?author=75">Check it out!</a>William Walshhttp://www.blogger.com/profile/17162620450202341649noreply@blogger.comtag:blogger.com,1999:blog-564928868925396068.post-79790225927306215922010-02-19T18:21:00.000-08:002010-02-20T06:57:49.950-08:00Cover for Ampersand, Mass.<a href="http://emergingwriters.typepad.com/emerging_writers_network/2010/02/fall-2010-dzanc-books.html"><img id="BLOGGER_PHOTO_ID_5440145728668221042" style="WIDTH: 133px; CURSOR: hand; HEIGHT: 200px" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMJVYOUHigt-kGEArNPkxc5O5nISa0j2VwUxPdHyadNKZK6ilQijVr7U8Y7fxke_NPUFc5_qDstiNtM-6iJZHryrAbLee1UVjScsTL9rVC1Sp9OZ4cr2Wae3BcdM5upfDeTo8yK8GT-IP_/s200/AmpersandMASS.jpg" border="0" /></a><br /><div></div><br /><p><a href="http://emergingwriters.typepad.com/emerging_writers_network/2010/02/fall-2010-dzanc-books.html">Dzanc Books </a>has posted cover art for nine of its eleven forthcoming titles (including their imprints Keyhole Press and Black Lawrence Press). </p><p>My collection from Keyhole, <em>Ampersand, Mass.,</em> is among the new books announced. Very happy to be in such good company: Matt Bell, Aaron Burch, Robert Lopez, Terese Svoboda, Peter Markus, Yelizaveta P. Renfro, Patrick Michael Finn, and Steven Gillis. </p>William Walshhttp://www.blogger.com/profile/17162620450202341649noreply@blogger.comtag:blogger.com,1999:blog-564928868925396068.post-80958025199573657042010-02-08T08:40:00.000-08:002010-02-08T08:48:25.736-08:00Artifice Reading at Small Animal Project<a href="http://www.artificemag.com/"><img id="BLOGGER_PHOTO_ID_5435914202990156514" style="WIDTH: 200px; CURSOR: hand; HEIGHT: 58px" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfA4LrIl627NOzbIqE55WzEG-fvpEtVG4KF7VoU-6N9I_FqgmRhdTsGIEP8VzkXgUwaRUhRKf5uxBIPKuPler9f6SET3Ay_uC-8d8HHU0VsNo4zSMM8L-clV0BzVmI7cknGNFJ4G4zMzLk/s200/artifice.jpg" border="0" /></a><br /><div>I will be reading on February 27 with <a href="http://smallanimalproject.com/?page_id=35">Jessica Bozek</a>, <a href="http://ojconfesses.blogspot.com/">Ori Fienberg</a>, and <a href="http://thefrenchexit.blogspot.com/">Elisa Gabbert </a>at <a href="http://smallanimalproject.com/">Small Animal Project</a>. This reading celebrates the release of <a href="http://www.artificemag.com/">Artifice #1</a>! Please note that this is an afternoon reading, starting at 3PM at <a href="http://smallanimalproject.com/?page_id=31">Outpost 186</a>, (186 1/2 Hampshire Street, between Prospect & Amory Streets, in Cambridge).</div>William Walshhttp://www.blogger.com/profile/17162620450202341649noreply@blogger.comtag:blogger.com,1999:blog-564928868925396068.post-9449728178302029102009-12-22T07:51:00.001-08:002009-12-22T07:59:56.150-08:00Workshop @ Brown Continuing Studies<a href="http://www.brown.edu/ce/adult/continuingstudies/catalog/course-detail.php?course_code=ENGCS10-2a"><img id="BLOGGER_PHOTO_ID_5418088968215219890" style="WIDTH: 320px; CURSOR: hand; HEIGHT: 120px" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJRf70MI4a96d2K-D0bDsceWcfWqBKigIDD7yx1BsusrZiY_Jth25RkgiOi7MdFwF6uB1l6OAIqPnXsvgvK_coe_3h_7WGoza4beUMUwxBjPw_F6o7PGSMtG7HzAhdHxehQxO-vrxxxpUg/s320/RE-Telling.jpg" border="0" /></a><br /><div><p></p></div><div>I'll be leading a new <a href="http://www.brown.edu/ce/adult/continuingstudies/catalog/course-detail.php?course_code=ENGCS10-2a">writing workshop </a>with Brown University's Continuing Studies Program in early 2010. <p></p></div><div></div><div><a href="http://www.brown.edu/ce/adult/continuingstudies/catalog/course-detail.php?course_code=ENGCS10-2a">RE: Telling</a>--Making New Narratives with Borrowed Characters, Familiar Settings, and Classic Plots begins February 3 and runs for six weeks. <p></p></div><div></div><div>Course description and registration information available <a href="http://www.brown.edu/ce/adult/continuingstudies/catalog/course-detail.php?course_code=ENGCS10-2a">here</a>. <p></p></div><div></div><div><a href="mailto:William_Walsh@brown.edu">Email</a> me if you have any questions. <p></p></div>William Walshhttp://www.blogger.com/profile/17162620450202341649noreply@blogger.com